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466801 comments
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The Turkish Bath (1862), by Jean Auguste
Dominique Ingres, Louvre Museum, Paris. The Death of Hyacinthos (1801),
by Jean Broc, Musée Sainte-Croix, Poitiers. Already in his
first works, Dante and Virgil in Hell (1822), The Massacre at Chios (1824) and The Death of Sardanapalus (1827),
he demonstrated his originality and inventive richness, together with
a passionate and colorful type that will characterize him.
The Death of Sardanapalus (1827), by Eugène Delacroix, Musée
du Louvre, Paris. Nude lady on panther skin (1844), by Félix
Trutat, Musée du Louvre, Paris. Followers of Delacroix have been: Narcisse-Virgile Díaz de la
Peña, nice landscape painter and author of nudes
such because the Fairy Pool, Venus and Adonis, Nymphs in the Forest and Love Reproved and Disarmed; Gustave Doré,
who excelled mainly as a draftsman and illustrator of literary works,
where he reveals great imagination and formal
mastery, as in the Bible, The Divine Comedy, Orlando furioso, some Shakespearean Dramas, Goethe's Faust, and so forth.
Félix Trutat, whose Nude Girl on a Panther's Skin (1844) is harking back to Goya's La maja desnuda and precedes Manet's Olympia.
In these works there's a robust dose of voyeurism, the girl is stunned while sleeping or grooming,
in intimate scenes, however open to the viewer, who can recreate within the contemplation of forbidden pictures, of stolen moments.